The Girl on the Train: A Novel

SATURDAY, AUGUST 10, 2013

MORNING

I wake early. I can hear the recycling van trundling up the street and the soft patter of rain against the window. The blinds are half up—we forgot to close them last night. I smile to myself. I can feel him behind me, warm and sleepy, hard. I wriggle my hips, pressing against him a little closer. It won’t take long for him to stir, to grab hold of me, roll me over.

“Rachel,” his voice says, “don’t.” I go cold. I’m not at home, this isn’t home. This is all wrong.

I roll over. Scott is sitting up now. He swings his legs over the side of the bed, his back to me. I squeeze my eyes tightly shut and try to remember, but it’s all too hazy. When I open my eyes I can think straight because this room is the one I’ve woken up in a thousand times or more: this is where the bed is, this is the exact aspect—if I sit up now I will be able to see the tops of the oak trees on the opposite side of the street; over there, on the left, is the en suite bathroom, and to the right are the built-in wardrobes. It’s exactly the same as the room I shared with Tom.

“Rachel,” he says again, and I reach out to touch his back, but he stands quickly and turns to face me. He looks hollowed out, like the first time I saw him up close, in the police station—as though someone has scraped away his insides, leaving a shell. This is like the room I shared with Tom, but it is the one he shared with Megan. This room, this bed.

“I know,” I say. “I’m sorry. I’m so sorry. This was wrong.”

“Yes, it was,” he says, his eyes not meeting mine. He goes into the bathroom and shuts the door.

I lie back and close my eyes and feel myself sink into dread, that awful gnawing in my gut. What have I done? I remember him talking a lot when I first arrived, a rush of words. He was angry—angry with his mother, who never liked Megan; angry with the newspapers for what they were writing about her, the implication that she got what was coming to her; angry with the police for botching the whole thing, for failing her, failing him. We sat in the kitchen drinking beers and I listened to him talk, and when the beers were finished we sat outside on the patio and he stopped being angry then. We drank and watched the trains go by and talked about nothing: television and work and where he went to school, just like normal people. I forgot to feel what I was supposed to be feeling, we both did, because I can remember now. I can remember him smiling at me, touching my hair.

It hits me like a wave, I can feel blood rushing to my face. I remember admitting it to myself. Thinking the thought and not dismissing it, embracing it. I wanted it. I wanted to be with Jason. I wanted to feel what Jess felt when she sat out there with him, drinking wine in the evening. I forgot what I was supposed to be feeling. I ignored the fact that at the very best, Jess is nothing but a figment of my imagination, and at the worst, Jess is not nothing, she is Megan—she is dead, a body battered and left to rot. Worse than that: I didn’t forget. I didn’t care. I didn’t care because I’ve started to believe what they’re saying about her. Did I, for just the briefest of moments, think she got what was coming to her, too?

Scott comes out of the bathroom. He’s taken a shower, washed me off his skin. He looks better for it, but he won’t look me in the eye when he asks if I’d like a coffee. This isn’t what I wanted: none of this is right. I don’t want to do this. I don’t want to lose control again.

I dress quickly and go into the bathroom, splash cold water on my face. My mascara’s run, smudged at the corners of my eyes, and my lips are dark. Bitten. My face and neck are red where his stubble has grazed my skin. I have a quick flashback to the night before, his hands on me, and my stomach flips. Feeling dizzy, I sit down on the edge of the bathtub. The bathroom is grubbier than the rest of the house: grime around the sink, toothpaste smeared on the mirror. A mug, with just one toothbrush in it. There’s no perfume, no moisturizer, no makeup. I wonder if she took it when she left, or whether he’s thrown it all away.

Back in the bedroom, I look around for evidence of her—a robe on the back of the door, a hairbrush on the chest of drawers, a pot of lip balm, a pair of earrings—but there’s nothing. I cross the bedroom to the wardrobe and am about to open it, my hand resting on the handle, when I hear him call out, “There’s coffee here!” and I jump.

He hands me the mug without looking at my face, then turns away and stands with his back to me, his gaze fixed on the tracks or something beyond. I glance to my right and notice that the photographs are gone, all of them. There’s a prickle at the back of my scalp, the hairs on my forearms raised. I sip my coffee and struggle to swallow. None of this is right.

Maybe his mother did it: cleared everything out, took the pictures away. His mother didn’t like Megan, he’s said that over and over. Still, who does what he did last night? Who fucks a strange woman in the marital bed when his wife has been dead less than a month? He turns then, he looks at me, and I feel as though he’s read my mind because he’s got a strange look on his face—contempt, or revulsion—and I’m repulsed by him, too. I put the mug down.

“I should go,” I say, and he doesn’t argue.

The rain has stopped. It’s bright outside, and I’m squinting into hazy morning sunshine. A man approaches me—he’s right up in my face the moment I’m on the pavement. I put my hands up, turn sideways and shoulder-barge him out of the way. He’s saying something but I don’t hear what. I keep my hands raised and my head down, so I’m barely five feet away from her when I see Anna, standing next to her car, hands on hips, watching me. When she catches my eye she shakes her head, turns away and walks quickly towards her own front door, almost but not quite breaking into a run. I stand stock-still for a second, watching her slight form in black leggings and a red T-shirt. I have the keenest sense of déjà vu. I’ve watched her run away like this before.

It was just after I moved out. I’d come to see Tom, to pick up something I’d left behind. I don’t even remember what it was, it wasn’t important, I just wanted to go to the house, to see him. I think it was a Sunday, and I’d moved out on the Friday, so I’d been gone about forty-eight hours. I stood in the street and watched her carrying things from a car into the house. She was moving in, two days after I’d left, my bed not yet cold. Talk about unseemly haste. She caught sight of me and I went towards her. I have no idea what I was going to say to her—nothing rational, I’m sure. I was crying, I remember that. And she, like now, ran away. I didn’t know the worst of it then—she wasn’t yet showing. Thankfully. I think it might have killed me.

Standing on the platform, waiting for the train, I feel dizzy. I sit down on the bench and tell myself it’s just a hangover—nothing to drink for five days and then a binge, that’ll do it. But I know it’s more than that. It’s Anna—the sight of her and the feeling I got when I saw her walking away like that. Fear.